In case you haven’t heard, I have an exhibition at Pump House Regional Arts Center until August 27th! I have seven paintings on canvas in the exhibition and they are all centered around the theme of “Survival.” All of my murals are painted to suit what my customers want, so with this exhibit I was able to paint exactly what I want and put some of my unusual ideas out there for the world to see. In this exhibit, I use elements of trompe l’oeil to bring viewers in to take a closer look at what is trying to survive, what the cost of survival might be, and to invoke empathy for those facing these struggles.
My largest painting seemed quite popular during my reception in July, so today I will show you some of my in-progress photos while I was painting it last winter. This canvas is 24″ x 30″ and I started with painting the background to look like wood. I left the center open because I knew I’d be adding something else there but didn’t know exactly what size it would be. My goal was to make it look like a wooden easel. The sides are also painted in wood grain. Most easels aren’t 1.5 inches thick, but that’s beside the point.
I continued working with the wood grain and adding texture to the edges, and then determined what size of “paper” would look best in the center of the easel for a painting within a painting. I also enhanced the wood grain on the small bottom ledge and added highlights and shadows to give it some depth.
The next step was quite enjoyable because I got to splatter numerous colors of paint on it. I did take time to cover up the center to protect that section, because I didn’t want any random splatter texture to show up in that area of the painting when I was done. If I had my own studio, even just a room all to myself, it would be awesome to splatter away at any time, but that doesn’t work so well in the corner of my living room, next to our beloved TV. So on a windy, freezing day in November, I did it as quickly as possible outside and called it good enough. I added more random brushstrokes once I got back inside and I also started experimenting with some shadows around the bottom of the paper.
At one point I made a trip to Goodwill to find a glass that might be small enough to fit on that ledge and that an artist would actually use to rinse their brushes. I was happy with this one, and not only was it about a dollar, but the tag happened to be the color of the week so I got it for half off! Have I mentioned that I tend to be frugal at times? You kind of need to be to survive in this business sometimes. 🙂 I’ve never painted a glass with liquid before, so it took some time to get the perspective and colors right. Here it is in the early stages.
Voila ~ the glass is finished! And my paintbrush is resting in it. And someone was hungry so they stopped by to take a drink of that sweet red nectar. Please don’t take a drink, darling little hummingbird, that is not nectar. I love hummingbirds ~ they are so cute and just amaze me! But did you know they also have a predator of the six-legged variety as well? A praying mantis needs to survive somehow too, right? And he’ll need some camouflage of his own to stay hidden…
Which brings me to the gladiolus that is wilting on the ledge. Here I’ve just started blocking in leaf and flower shapes.
Now you can see the wilting flowers. I’ve also added more outlines of paint that you might see if other sizes of paper had previously been taped into place while painting on this easel. I wonder if those paintings survived or where they might be now. Or if the artist was able to sell them.
Speaking of tape, here comes the main trompe l’oeil aspect of this painting! I wanted the inner painting to appear to be held on with painters tape, so what better reference to use than actual painters tape? When painting murals, I’ve had a lot of practice using a straight edge and brush to make nice straight lines without tape, but they aren’t always perfect. This one had to be perfectly straight to really fool your eye, so I used tape on both sides to get a straight edge. Then I ripped some tape and used the ragged ends for the ends of my faux tape. I mixed up a yellow that looked right and thinned it out with matte medium and put on a few very thin coats until it looked right to me.
Then I got to peel the real tape off, leaving my painted tape behind with a nice, crisp edge! Using the thin glaze of paint allowed the whiteness of the paper and darkness of the easel to show through just like the actual tape does, as you can see below with the real tape.
Once that paint was completely dry, I came back and did the same thing with the top of the painting. Here I’m pulling off the last piece of tape while the paint is still wet. When the real tape overlaps itself, you can see both tape layers plus the paper and easel. So if I wanted to fool someone, I had to make sure my faux tape did the same thing.
Okay, so this bottom section of tape I just did freehand because it was so small. I used an actual piece of tape nearby as a reference so I could paint it as accurately as I could see it. The main thing was to see how the shadows behaved with my light source and duplicate that to the best of my ability.
Time to paint the painting in the painting! We had some gorgeous glads in our flower garden a few years back so I was able to hand pick one of my own reference photos. I didn’t take many in-progress photos because time slipped away from me, as often happens when one paints. I wanted the background to have a watercolor feel to it so there are many layers of colors when you see it in person. I used tape on the lower right corner of the painting to protect the white edge while I was painting it. Then another important step ~ when I was painting the background for these flowers, I made sure to brush some of that onto my faux tape as you would see for any real painting.
Removing the tape pieces off the corner reveals the crisp white paper edge, as well as the ripped area of the painting. I added some slight texture to the ripped paper to show that some layers of paper were peeled off when it was ripped.
Then I went to work finishing up the details on the flowers and working with the shadow under the faux paper. Time for my signature and it is complete! I titled this painting “Archilochus colubris” which is the scientific name for the Ruby-Throated Hummingbird.
I had an incredible time at the artist reception for this exhibit and was so grateful to everyone who showed their support in presence and in thought. This series features many critters trying to survive including the following: spider, ants, millipede, snake, goldfish, monarchs, owl, bunny, and a wasp. There are also inanimate objects trying to survive. And abstract thoughts. I hope that in viewing my artwork, you take time to really see what is surviving and start to think about what their lives might be like through their experiences and struggles.
As I’ve mentioned to families who visited, I have also painted a ladybug on one of these paintings and you can ask your little ones to try to find it!
During the artist reception I had the pleasure to meet the other artists who also have exhibitions at this time, Tim Pahs and CathyJean Clark. If you have some time in the next two weeks, stop in at Pump House Regional Arts Center and check out all of our artwork in person! Hours are listed on the website and they recommend you call first to be sure they are open (608-785-1434.) Admission is always free. Thank you for your support!